A Comparison of Body Art Quality Henna Paste, Pre-Made Pastes, and “Black Henna”

 

 

 

A little while ago, I read a post by a henna artist on a social media site bemoaning that yet another person contacted her to say that henna was dangerous and that it would cause allergic reactions. This is not uncommon in the henna body art community. Henna paste for body art made from body art quality ​​ (BAQ) henna and other natural ingredients is completely safe. This person had most likely heard of the dangers of “black henna.” Then, there are those people on the opposite side of misinformation who believe that if a product is called “henna,” it must therefore be natural and safe 100% of the time. ​​ Also not true.

The sad truth is that there are innumerable mass-produced products easily accessible online and on international store shelves which claim to be “henna” but are a mixture of food dyes, solvents, preservatives, para-phenelyendiamine (PPD), and other additives. These products are labeled as “henna,” but may not contain any material from the lawsonia inermis plant.

These products are designed to be a fast, cheap, and easy alternative to mixing true henna paste from scratch. True henna paste must be mixed, dye-released, and coned. It degrades at room temperature. True henna must be left on the skin for several hours for a deep stain; after paste removal, the stain is light at first, then oxidizes to a deeper color over the subsequent 48 hours. Stains from true henna paste vary depending on skin thickness and texture. Pre-made pastes are designed to have long shelf-lives, and quick, dark stains, but at potential risk to the consumer.

 As the word “henna” is not regulated, it can be used simply to describe a form of body art which involves temporarily staining the skin, rather than the product of the henna plant. To learn more about the differences between pure, BAQ henna, mass-produced henna cones, and “black henna,” click here. To learn more about the dangers of PPD and “black henna,” click here.

The population is very diverse in my neighborhood of Montreal, Quebec, and as a result, there are several international grocery stores within just a few blocks of my home. I went out to the nearest two and purchased all of the pre-made “henna” cones I found on the shelves. I also purchased two types of powdered black hair dyes popularly used to create “black henna” paste. I compared each of these products to my own BAQ paste in terms of texture, odor, and color. I also recorded notes on the packaging and instructions, and conducted a paper chromatography test to observe dye separation. Here are my findings.

 

Comparing BAQ Henna Paste, Pre-made Pastes, and Paste Made From Powdered Hair Dye

The purpose of this study is to note physical and chemical differences between true, BAQ henna paste, and products which are used as alternatives. As I sampled only the products available within a short distance from my home, future studies may be done on a wider range of products such as those most popular on online shopping sites.

Without more advanced methods at my disposal, it is impossible to determine the exact ingredients in the products, and therefore their level of safety. To err on the side of caution, I assumed that all of the store-bought products were potentially harmful, taking the safety measures described in the section below. The powdered hair dyes clearly indicated their ingredients, which included para-phenylenediamine, known to be highly sensitizing when in contact with the skin.

The purpose of this study is not to comment on the quality, popularity, or reputation of any of the products involved, but rather to report on the attributes which can be noted through basic observation.

 

Safety Measures

Please note that I do not, under any circumstance, recommend replicating this experiment. There was no way to determine what the products contained and whether they were dangerous. The powdered hair dyes contained a concentrated amount of PPD, which is known to be highly sensitizing, as well as toxic if ingested. Many of the pre-made pastes possessed no ingredients label; those that did were likely to have excluded ingredients from their list due to lax regulation. I wore protective gloves and worked in a well-ventilated space to prevent skin contact and inhalation of fumes. Afterward, I thoroughly cleaned all surfaces to prevent future exposure or contamination.

 

Product Selection

For this experiment, a product qualified if it met one or more of the following: 1) It was labeled “henna” and came in a cone or tube; 2) it did not have the word “henna” but packaging showed images of decorated skin; 3) it was packaged and marketed as a black hair dye, but is known for use on skin.

I purchased every product available in two local international stores, without purchasing duplicates, or more than one product from each brand. In the case of two products from the same brand, I chose that which advertised a darker color.

In total, I purchased six pre-made pastes and two powdered black hair dyes. All products except Cone 4 (Kanza) are shown in the image below.

 

 

 

 

 

Procedure

Using written notes as well as visual and audio recording, I commented on each product’s packaging, including the presence of ingredients lists, instructions, warnings, promised results, and country or manufacture.

After opening the packaging, I noted physical qualities of the paste: consistency, color, and odor. I tested each paste by drawing lines and dots. In the case of the two hair dye powders, I mixed each with water to a consistency similar to the pre-made pastes.

I then conducted two additional tests: one for flammability, and the second a chromatography test to compare dye separation between products. The procedures and results for these two tests will be discussed in detail later in this article.

All products’ results were compared to a cone of BAQ henna paste which I created using henna powder, lemon juice, water, sugar, and essential oils.

 

Packaging

The pre-made pastes were relatively similar in packaging. They were either in a plastic tube with a small twist cap, similar to the type of packaging for an ointment; or, they were in a rolled foil cone which was taped at the top and sealed with a pin at the tip.

Nearly all of the products came from Pakistan, with the exception of Cone 4, which was from Dubai. Only two products featured ingredients lists, and only one recommended a patch test. Very few instructions were present. Cone 5 read, “Wash hands after 15 minutes” which could be interpreted either as instructions, a warning, or an advertisement of the speed of the product’s staining ability.

Four of the six pastes had “Export Quality” printed somewhere on the packaging. I could not find clear information about the countries’ standards for determining this. More likely than not, they are just words put on there to sound fancy.

The two powdered hair dyes had complete instructions, warnings, and ingredients lists. Warnings and ingredients were printed on the box; the pamphlets inside repeated the warnings, and provided instructions for conducting a patch test as well as mixing and application.

The boxes of hair dye each contained a small glass bottle with a twist cap, underneath which was a rubber stopper. Each supplied a small measuring cup, and one supplied disposable gloves.

Both hair dyes were marketed toward Eastern Asian customers, and/or included Eastern Asian elements on the packaging. One was from a Japanese company which outsourced its manufacturing to India; the other was produced in Pakistan. Both boxes included promises of no ammonia or peroxide, adding to the sense that the product was safe or healthy. (Side note: the woman who rung me up commented that these dyes were “natural,” and “much safer than what you’d get at a drug store.” I just smiled and nodded.)

 

Below are details for each product’s packaging.

 

Cone 1

Name of Product

On Box: “Almas / Cone Henna Paste / Henna Body Decoration Paste”

On Tube: “Special Cone Henna Paste”

Type of Packaging

Plastic tube with thin tip twist cap, within a paper box

Country of Manufacture

Pakistan

Ingredients Listed

None listed

Instructions

Warning

“External Use Only”

Additional Details

On Box:

Black”

One of the finest quality and largest selling Henna in the world”

On Tube:

“100% Color”

“No side effect.”

“We feel proud that your trust is on our product...”

Export Quality From Pakistan”

An email address provided

 

Cone 2

Name of Product

“Shama / Cone Henna / Henna Body Decoration Paste”

Type of Packaging

Plastic tube with thin tip twist cap, within a paper box

Country of Manufacture

Pakistan

Ingredients Listed

Natural Hinna, Hinna Oil, Citric Acid & Water” (sic)

Instructions

See Image Below

Warning

Warning: Not to be used on lips and aroun the eyes area” (sic)

Additional Details

Extra Dark Color”

Finest Quality Henna in The World”

Halal”

 

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Shama Instructions and Warnings

 

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Cone 3

Name of Product

Special / Najma / Gel Cone / Mehndi”

Type of Packaging

Foil cone with pin tip, within paper box

Country of Manufacture

Pakistan

Ingredients Listed

None

Instructions

None

Warning

None

Additional Details

Export Quality”

 

Cone 4

Name of Product

Kanza / Henna Cone”

Type of Packaging

Foil cone with pin tip

Country of Manufacture

Dubai, UAE

Ingredients Listed

None

Instructions

None

Warning

None

Additional Details

The Supreme Quality Henna Selling in the World”

“Trademark 383381”

“Emergency Cone Henna”

“Export Quality”

“A Product of Noorani & Company”

A website provided

 

Cone 5

Name of Product

“Anarkali / Brown Out Liner”

Type of Packaging

Foil cone with with pin tip

Country of Manufacture

Pakistan

Ingredients Listed

None

Instructions

“Wash Hands Within 15 Minutes”

Warning

None

Additional Details

Registered 152393”

An email address provided

 

Cone 6

Name of Product

“Al Qamar / Nail Henna”

Type of Packaging

Small foil tube with twist cap, within paper box

Country of Manufacture

Pakistan

Ingredients Listed

Instructions

None

Warning

None

Additional Details

Export Quality”

Approved by PCSIR”

Company address and phone numbers provided

 

Powder 1

Name of Product

“Bigen / Permanent Powder Hair Color / 59 Oriental Black”

Type of Packaging

Paper box containing glass bottle of powder sealed with rubber stopper and twist cap. Box also contained a small plastic measuring cup and pamphlet of instructions.

Country of Manufacture

Pakistan

Ingredients Listed

Instructions

See Image Below

Warning

See Image Below

Additional Details

Contains No Ammonia”

Requires No Hydrogen Peroxide”

 

 

Instructions for Bigen Hair Dye

 

 

Warnings and patch test for Bigen Hair Dye

 

 

Powder 2

Name of Product

“ShoHan / Japanese / Instant Powder Hair Color”

Type of Packaging

Paper box containing glass bottle of powder sealed with rubber stopper and twist cap. Box also contained a small plastic measuring cup and pamphlet of instructions.

Country of Manufacture

India

Ingredients Listed

Instructions

See Image Below

Warning

See Image Below

Additional Details

Contains No Ammonia Peroxide”

100% Gray Coverage”

 

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ShoHan Hair Dye instructions and warnings

 

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ShoHan Hair Dye Special Features and Patch Test Instructions

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Physical Qualities

Notes were made on the texture, color, and odor of each paste. It is important to first note the qualities of a true henna paste, to use as comparison.

BAQ henna paste is green-brown in color when it is first applied. The paste is smooth and opaque, but with a very fine natural grit, as it is mixed from a plant powder. It dries to a matte deep brown. The stain that is left begins as a bright orange, then oxidizes to deep reds and browns. The odor is that of wet grass, citrus, and essential oils. It is a pleasant odor. The pre-made pastes were all relatively similar in their textures, colors, and odors, but completely different from the BAQ paste.

 

Texture

As indicated on many of the labels, the pre-made pastes were “gels.” They were extremely smooth and glossy. Some pastes were thicker, while others were runny. Cone 1 (Almas), was the most liquid-like; lines did not hold, and the product formed runny puddles. Nearly all of the pre-made pastes had a sticky or stringy consistency. If I dipped a toothpick in a sample of product and pulled it out, the product would stretch in thin strings. There was clearly some sort of binding or thickening agent added into the products to give them such a consistency. This is different from the stringy consistency one might find with BAQ henna paste, which allows the paste to be draped in thin, even lines. While BAQ henna drapes the way a smooth icing might, the gel pastes were more comparable to sticky paint.

The pastes I mixed from the hair dye powders were denser and grittier. The pastes turned smoother with stirring, but retained some grit. While evidence of some sort of thickening agent was present, these pastes were not as sticky and glossy as the pre-made pastes.

 

 

Texture tests for BAQ paste and pre-made pastes

 

 

 

Color

With the exception of Cone 1 (Almas), which was blue-black in color, the pre-made pastes showed variations of deep reddish brown to coffee brown when first squeezed out of the tube or cone. When smeared across a surface to form a fine layer, one could see that the gels were all translucent, and orange-red to brown-red in color.

The hair powders were gray before mixing with water. Once water was added, the pastes deepened from gray-brown with hints of blue or purple, to deep brown, to off-black.

 

Odor

All of the pre-made pastes had an overwhelmingly solvent-like odor that was noticeable within seconds of squeezing out a sample. The smell was similar to turpentine or gasoline. Even in a well-ventilated area, the odor took hours to dissipate after completing the tests. While I would describe BAQ henna as having a strong scent, the pre-made pastes emitted fumes, in the same way that an open bottle of nail polish remover quickly fills a space with the smell of something flammable. Cone 6 (Al Qamar) had a faint menthol or eucalyptus odor in addition to the solvent. The hair dye powders did not give off any notable odor, in neither powder nor paste form.

It is interesting to note that Cone 2 (Shama) had an ingredients list that is very similar to a true henna paste—henna, oil, citric acid, and water—but basic observation showed that this was far from the truth. Like the other products, this paste was a glossy gel with a deep red-brown color and strong odor. This goes to show that looking at an ingredients label is not enough when shopping for henna products.

 

Flammability

The flammability of the pre-mixed pastes was tested by saturating pieces of cotton with one of each of the products. Each piece of cotton was then held with tweezers over a flame for a few seconds. The BAQ henna paste was also tested using the same method. This test was not done with the hair dye pastes.

None of the samples ignited. A few sizzled and emitted dark wisps of smoke, but otherwise showed no difference in reaction when compared to the BAQ paste. The BAQ paste became dark and dry. An absence of combustion does not exclude the possibility of the pastes containing flammable ingredients; there may not have been high enough concentrations to cause combustion, or the additional moisture may have acted to prevent a flame.

 

Paper Chromatography

Chromatography tests are used to separate dyes. The paper chromatography test involves allowing a strip of absorbent paper holding a sample to wick a solvent such as isopropyl alcohol. As the solvent travels up the paper, it brings any dye contained in the sample along with it. Dyes will travel varying distances, resulting in unique bands of color to appear. This test alone cannot determine the exact dye ingredients, but comparing results can provide an idea of what types of dyes were involved. Below is a sample conducted on standard food coloring one can buy from the grocery store. One can see that the green dye contained both the blue and yellow dyes.

 

 

 

 

Using gloves to prevent my skin’s oils from contaminating the test, I cut 2 x 16cm strips from coffee filters. I measured and marked a line 2cm from the bottom of each strip. I applied a sample of each product along that line. All the strips were clipped to a rod and hung above a flat glass dish containing isopropyl alcohol (99% USP) so that the bottoms of the strips were in the alcohol, but the sample lines remained above. The samples were left for 60 minutes, and observed during that time.

 

Below are images of the process. The timer indicates remaining time.

 

 

Within seconds, the solvent began moving up the paper. Cone 1 (Almas) bled down into the solution. Luckily, this caused no noticeable contamination of results.

 

 

 

 

After five minutes. Cone 3 (Najma) begins bleeding into the solvent as well. Both cones 1 & 3 had been noted to be thinner and more liquid when tested for texture earlier.

 

 

With just over 20 minutes remaining, dye separation is quite apparent. Notice that the BAQ sample on the far left is very pale in comparison to all other samples.

 

 

 

 

 

Analysis of Pre-made Paste Chromatography

It is important to know that BAQ henna paste contains only one dye molecule, which is lawsone. Lawsone stains the skin by binding to the keratin. Initially, the stain on the skin is light, and then it oxidizes to deeper shades. BAQ henna usually contains 1-3% lawsone concentration. The dye is kept stable in an intermediary state by the low pH liquid used to mix the paste-- in this case, diluted lemon juice.

Cone 1 (Almas) was the only pre-made product I found which claimed to give a black result. Initially I assumed that it must have contained PPD. The results of this chromatography test showed that to be untrue; the dye is a deep blue color and most likely a concentrated food dye, or something similar. Below I will show the chromatography results for PPD hair dye. Strangely enough, a small amount of red-orange dye also separated from Cone 1’s sample, but it is clearly not lawsone.

Cones 2-6 showed similarities in the presence of highly concentrated brown-red dyes. Cone 2 (Shama) also exhibited an additional lighter dye strip at the top. It appears similar to that of Cone 1, but is present at a different height. Also interesting to note in Cone 2 is how the solvent turned the initial sample stripe a bright yellow color. This could be because all of the other dye was dissolved and wicked upward. The BAQ henna shows a similar result, as the initial line turned dull gray.

 

Powdered Hair Dye, and Additional BAQ Chromatography Samples

I conducted another chromatography test on the two powdered hair dyes, and to re-sample the BAQ henna which I felt may have been contaminated when Cone 1 bled beside the first BAQ sample.

 

Three identical BAQ samples on the left. On the right, Powder 1 (Bigen) and Powder B (ShoHan) respectively.

 

While both powdered hair dyes were labeled “black,” the pastes appeared to be very deep brown at the beginning of the test. These dyes are oxidative, meaning they darken as they process within the hair shaft (or in the case of “black henna,” while on the skin). Both PPD hair dye samples bled into the solvent, which made sense given that they were created by mixing the powders with water.

 

This photo was taken forty minutes in. I noted that both hair dyes samples showed a violet tinge as time went on.

 

 

 

 

The hair dyes appeared nearly identical in their chromatography results. The initial brown color darkened through a deep, muddy violet color, to a cool, charcoal black. As both products included full ingredients lists, there was no need to guess the presence of PPD.

These products were not marketed as henna, or for use on skin. They do not claim to be or contain henna. However, powdered black hair dyes such as these are very often used to create “black henna” which is applied in stalls and kiosks in tourist areas. They are simply highly concentrated PPD mixtures.

 

 

 

 

The additional BAQ samples were relatively similar to the initial sample. Here, the lawsone lines are more visible. A faint, green-brown line present beneath the orange dye lines was most likely due to plant reside which was wicked up along with the solvent. While the sample on the left appears as if there are four distinct dyes, one can see that the shape of the lines is uneven; rather than going straight across, indicating a clear separation of dyes, this separation is more likely due to inconsistencies in sample application, and solvent absorption/evaporation. Below are the results from the pre-made pastes, once again, for comparison.

 

 

 

Conclusions and Limitations

The purpose of this study was to investigate and report observable differences in texture, color, odor, flammability, and dye qualities of six pre-made “henna” pastes, and two “black henna” pastes. These products showed little to no similarities with BAQ henna paste, but were very similar to one another. Unlike BAQ paste, pre-made pastes were glossy, translucent gels. These pastes emitted a very strong solvent-like odor and contained highly concentrated dyes. Despite a possible presence of flammable ingredients, none of the pre-made pastes ignited when exposed to flame. Pastes mixed from powdered hair dye were dark brown to black and had no odor. Hair dye pastes were not tested for flammability.

Access to advanced laboratory equipment and methods would help to shed light on the chemical qualities of the products, and even determine the ingredients within them. Equipment such as a mass-spectrometer can do just this, but is very expensive and difficult to access without an established relationship with a lab.

However, the simple methods used in this study are more than enough to determine that pre-made pastes are far from true BAQ henna. True henna is made in small batches, and must be kept cold to prevent demise. The paste is opaque, green/brown, and smells pleasant. If you come across a product and are unsure of its ingredients or safety, err on the side of caution and do not use it. If you are very curious, squeeze a small amount onto a napkin and note its texture, color, and odor.

True henna is wonderful. It has been used for centuries in numerous countries. It has been observed to provide benefits to skin and hair. Commercialization has tainted the term, “henna” with innumerable products which are far from the real thing. For quality and safety, it is best to skip the cheap, fast stuff, and mix your own henna paste using BAQ henna from a reputable supplier.

 

Differences Between BAQ Henna for Body Art, Mass-Produced Henna Cones, and “Black Henna”

 

 

This article discusses the difference between products created for the use of decorating the skin. For differences between products labeled as “Henna for Hair,” click here.

 

For details about rules and regulations regarding the use of henna on skin, consult the About Page.

 

If you are either a person who is interested in using henna for body art, or if you are someone who wishes to get henna done, it is crucial to be familiar with what is considered real, natural, and safe henna, and what is not. Sadly, there are too many products on the market which claim to be henna (but they are not), and which can be dangerous to the skin. Knowing the difference will keep you and/or your clients safe. This article will describe the differences, and explain how to tell these products apart.

 

True Henna Paste for Body Art

Let’s start with the good stuff. True body art quality henna paste for the skin is made with BAQ henna powder, an acidic liquid (most commonly lemon juice), essential oils referred to as “terps,” and sometimes some sugar. That’s it. Most artists who use real henna paste mix it themselves in small batches, and fill their own cones. “BAQ” stands for Body Art Quality, indicating that the henna powder is finely sifted and free of additives.

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Many henna artists who use true henna mix their own paste and fill their own rolled mylar cones.

 

 When mixed, the paste must be left to dye-release for some time before use, and then kept cold or frozen if not used right away. At room temperature, henna paste will demise after one or two days, causing the dye to weaken. Demise occurs more quickly at warmer temperatures.

 Henna comes in only one “color.” It will stain skin a bright orange color which oxidizes to red-brown to deep coffee. The darkness of the stain depends on the area of skin that is being hennaed, proper aftercare of the design, and proper mixing.

Henna stains best on dry, rough skin with several layers. This is why henna is most commonly done on hands and feet. Areas like the back and stomach will stain lighter and fade more quickly.

 The longer the paste is kept on, the deeper the stain. Keeping the paste slightly moist and warm will also deepen the stain.

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Dye from henna paste migrates into the upper layers of the skin. The stain is orange at first, and oxidizes to deeper colors.

 

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Terps are the only ingredient that will affect the darkness of a stain. Coffee, dyes, and other ingredients should not be added. Terps are essential oils with monoterpene alcohols. These compounds aid in darkening the resulting color from the paste.

 

Mass-Produced Henna

Several companies produce “henna” paste meant to be used for body art, usually sold in packages with several cones. These are sold on the internet and in international stores. These products contain a number of additional chemicals to preserve the henna dye and to manipulate the color. Rather than using essential oils, cheaper alternatives are added to boost the color. These could be one or more of a wide range of solvents or terpineols that are not mean for use on skin. If you were to hold a flame to the paste and it ignites, it contains something that should not be in henna paste. If the product smells like a gas station or something in a janitorial closet, the same applies.

These pre-made paste cones are sometimes referred to as “chemical cones” by henna artists. Because these products are often produced in countries with loose regulations on ingredients disclosure, it is not enough to check the label.

 

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An example of mass-produced henna body art cones.

Source: York, Melissa. “Trading Standards prioritise dangerous henna in 2013.” ​​ Newham Recorder. January 11, 2013. http://www.newhamrecorder.co.uk/news/court-crime/trading_standards_prioritise_dangerous_henna_in_2013_1_1789524 ​​ 

 

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One sure sign of a chemical-laden cone is that it comes in color options. These products are sometimes offered as “red henna,” “brown henna,” and “black henna.” True henna does not vary in color this way. If a product is labeled specifying a color result, it is likely that there are added chemicals and dyes to affect the result. Para-phenylenediamine (PPD) may be added to pastes to darken the color. If the product is labeled “black henna,” it very likely contains PPD. ​​ The problems with PPD will be discussed in the section below.

 As mentioned above, true henna is normally mixed in small batches by the artist themselves. There are very few companies which sell pre-mixed paste, and if so, it is shipped overnight with insulation or cold packs. If you find a brand that is widely sold over the internet in large quantities and does not require rush shipping, it is most likely a mass-produced product that contains additives to preserve and/or alter the color.

 The following link contains a list of henna products seized by the FDA during import. The products described as henna paste or henna cones most likely fall into this category, as they are mass-produced and shipped from overseas. Keep in mind that any product labeled as henna for use on skin or for body art is illegal in the United States and can be seized. Being on this list does not absolutely guarantee that a product is dangerous or harmful. Safety can only be determined with a full list of ingredients and/or with lab testing. Click here to check for henna paste products that may be suspicious.

 Such products may also be sold in powder form or in kits for the customer to mix themselves. Pay attention to the instructions and the ingredients list, if one is available. Some of these products instruct the buyer to mix the powder with water and to use it right away. If the instructions do not sound like the normal procedure for mixing and dye-releasing henna paste, it is likely that the product contains additives.

In some cases, such products, either in paste or powder form, contain little to no henna at all. “Black henna” contains high levels of PPD and stains the skin black quickly. PPD might be added to a product that contains some henna in order to darken the result and speed up the staining time. Very often, it is used on its own.

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This product was available on Ebay. Notice the labeling. You can clearly see “Black” and “Fast,” and if you look closer, it even has a warning about hypersensitivity.

 

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“Black Henna”

While it is commonly known as “black henna,” the product used to create fast, black stains on skin is not henna at all. ​​ It contains a high concentration of para-phenylenediamine, a highly sensitizing compound which can cause contact dermatitis. Severe reactions can include painful blistering, weeping sores, and trouble breathing. These types of reactions require hospitalization.

 “Black Henna” is a mix of highly concentrated hair dye powder, and water or peroxide. Countries with lax regulations on PPD concentration produce hair dye with as much as 80% PPD, and this is used illegally for body art. In some cases, an artist may have purchased a product without understanding the difference between true henna and black henna, or the risks. “Black henna” has been sold to people looking for a quick buck during tourist seasons.

 

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This is a common hair dye brand used for mixing “black henna” paste. It contains 40% PPD.

 

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A study demonstrated that 100% of subjects were sensitized to PPD within five applications of a 10% concentration. Not all subjects took five applications to become sensitized. “Black henna” contains anywhere from 15% to upwards of 80% concentration, making it easy to sensitize a person after just one exposure.

 After being sensitized, a person will experience worsening reactions each time they come in contact with PPD. Commercial hair dye in the US contains a maximum of 6% PPD. People who do not know that “black henna” and hair dye contain the same ingredient will inadvertently expose themselves to serious allergic reaction if they dye their hair.

An artist mixing “black henna” in Bali. The two bottles are likely to be bottles of hair dye.

Source: Peta Rasdien, “Bali black henna health alert” The West Australian. September 4, 2013. http://au.news.yahoo.com/thewest/a/-/wa/18773124/bali-black-henna-health-alert/

 

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“Black henna” tattoos are commonly offered in areas of tourism, such as boardwalks and beaches. It is illegal in the United States and many other countries, but regulation is difficult and spotty. Every summer, news articles pop up of people experiencing severe reactions to “black henna” tattoos. Oftentimes they are children. Children and young adults are more likely to want a “black henna” tattoo while on vacation. Parents are too often unaware of the risks.

 Sometimes vacationers have heard about reactions from “black henna,” but decide to get it done anyway, thinking that the reactions are rare and unlikely to happen to them. In reality, the chances of becoming sensitized to PPD from one “black henna” tattoo are about 50%.

The sign reads, “Black Henna Tattoo / lasts 10 to 15 days / drying time 10 min / resistant to sea water, soap, sun, etc. / more than 2000 designs.”

The part about drying could either imply how long it takes for the paste to dry, or how long it takes to stain.

 

 To learn about para-phenylenediamine and its dangers in detail, read What You Need to Know about Para-Phenylenediamine (PPD)

 

 

How to Make Sure You Are Using Pure, BAQ Henna

Now that you know the difference between products labeled as “henna,” you will want to make sure that as an artist you are only using true henna--or, as someone who may want body art done, that the artist you choose is using it.

 

For Body Artists

Mix your own. Simple as that. Purchase 100% pure, BAQ henna powder from a reputable supplier; hopefully one which tests its product for additives and other chemical adulterants. If you really do not want to mix your own paste or do not have the time, there are some small companies which will sell pre-mixed paste. Make sure to ask for their ingredients. Check to see if they ship the item cold, and overnight. If the product does not have to be kept frozen, do not order it. If it seems like it is a mass-produced chemical cone, do not order it.

 

For Customers

Stalls offering henna appear at fairs, festivals, and vacation spots during the summer, and year round in sunny locations. Henna is also sometimes available at salons and tattoo shops. Make sure you are ready to ask questions and do a little sleuthing before you let any product touch your skin. Here are some questions to ask, and things to look for.

 

1. If the stall is outside on a warm day, check where they store their extra paste. Most henna artists keep their extra paste cool or frozen to prevent demise. If they have all of their cones sitting out, they are either “chemical cones,” or the artist does not know how to properly store their henna. Either way, you’ll not want a design from that person.

 If the cones look like they have been mass-produced in a factory (some signs might be identical labeling, plastic tips with caps, and cones made of shiny foil packaging), they probably were.

 In the case of “black henna,” you might expect to see small containers or fine-tipped bottled containing jet black liquid. “Black henna” must be mixed regularly, as the dye becomes ineffective after about an hour.

 

2. Look at their signs or portfolios. Many artists keep images of body art done in the past, either for advertising or to help customers select a pattern. There should never be images of patterns done in black paste, or jet black stains. Wet henna paste is green to brown, and dries dark brown. Fresh stains are orange. While a dried henna pattern can be very, it will never be raven black.

Note: Some artists use images of henna that they pulled from the internet. Ask the artist if the photos are of their own work.

 

3. Look at the artist’s hands. Henna artists very often henna themselves. If not, they may still have henna stains on their fingers from working with the product. The stains should be orange, to deep red, to deep brown, but never jet black. The color of henna varies on thicker skin and calluses. You should be able to see a difference in color between henna on the palms and back of the hands, and from fingertips to wrists.

Fresh stains are bright. After oxidation, the color varies from palm to wrist. A henna artist might have stains on their fingers of hands from working. These stains would vary based on location on the hand and how long ago they occurred.

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4. Ask the artist where they get their paste. They should be mixing their own. If they do not, check on the company they give you. If they refuse to tell you, walk away. If they say “It’s from India,” that’s not enough. Just because henna is ordered from a country where it is traditionally used does not mean it is safe.

 

5. If the artist says they mix their own paste, ask for their ingredients. A good artist will disclose this to you, as there is nothing secret or mysterious about henna paste. It should not be anything more than BAQ henna powder, lemon juice or another mildly acidic liquid, essential oils, and maybe sugar.

 

6. Ask to smell the paste. You might seem odd for doing it, but you could say that you’re sensitive to certain odors. True henna paste smells like wet grass and essential oils. If you get a whiff of anything that smells like gasoline or harsh chemicals, it’s a no-go. “Black henna” will not have a noticeable odor, but manufactured cones might. Do be careful when sniffing. Do the wafting technique like they teach you in chemistry class, to avoid getting a nose full of something you shouldn’t have.

 

7. Ask about aftercare and the color of the stain. True henna must be kept on as long as possible, and will initially be a bright orange color when it is first removed. The color deepens over the following couple of days. ​​ If the artist says that the paste can be removed after an hour or two (or even as little as fifteen minutes), and that the resulting stain will be immediately black, leave immediately.

 

With true henna, the initial stain is bright, and will deepen with oxidation during the following 48 hours. Keeping the paste on as long as possible ensures a darker, longer lasting stain. Do not trust any product that produces a fast, dark stain.

 

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8. “Black henna” stalls can be pretty obvious. They might even have a sign that says “black henna tattoos” or something similar. If not, look for black liquid that is applied with a brush, or containers of powdered hair dye. “Black henna” made from highly concentrated hair dye powder needs to be mixed and used rather quickly, and isn’t always applied with a cone. The liquid is black, whereas henna paste is a green or brown color when it is first applied.

(Note: Some henna artists do use brushes, bottles, and syringes, but a rolled cone is most common. “Black henna” liquid is sometimes thinner, and painted onto the skin, especially in the case of tribal designs or other designs with large areas of solid color.)

 

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Photos of advertising and materials at a “black henna” stand at Daytona Beach. You can see a large bottle of 40 volume developer, paint brushes, and small containers. Clearly not what is used for mixing and applying henna.

Source: Alyson Harris. ​​ Photos from Alyson Harris's post in PPD Free Henna Artists. ​​ Facebook. June 7, 2013.

 

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Final Notes

“Black henna” body art is illegal, and PPD sensitization is serious. If you find yourself at a fair or festival and you suspect that someone is using PPD-based “black henna,” it may be wise to contact the party in charge of the event and explain to them the dangers and liabilities of having such an artist present. If you are on vacation and see a “black henna stall,” contact the local health department. Take a photo on a phone or device that can record time, date, and location if possible. If you are able to get a sample of the product, do so. Please do not touch the paste itself.

 If you have recently gotten a “black henna” tattoo and are experiencing a reaction, do the same as above, if possible. Additionally, go to a doctor immediately and tell them that you are experiencing a delayed sensitivity reaction to para-phenylenediamine from “black henna.” Ask for a list of things to avoid. Besides other products containing PPD such as hair dye, a person who is sensitized may develop cross sensitization to a long list of things such as azo-dyes, fragrances, black rubber, and anesthetics. More about PPD sensitization can be found here.

Henna body art can be beautiful. Creating body art on others, and getting body art done should be a safe and enjoyable experience. To ensure this as either an artist or a customer, make sure to insist on only the real thing. If you have further questions about henna on skin, mass-produced henna cones, or “black henna,” feel free to comment below or email r_chou@mehandi.com.